The 'Passion' comprises the very last week of Jesus' life on Earth. '热情'的组成非常上周的耶稣'地球上的生命。 It began on Palm Sunday and concluded on the morning of Easter Sunday.它开始对棕榈油和周日结束上午的复活节周日。
The Last Controversies and Discourses, The Sadducees and the Resurrection, The Scribe and the Great Commandement, Question to the Pharisees about David's Son and Lord Final Warning to the People: The Eight 'Woes', Farewell.最后争论和论述,撒都该人与复活,文士和伟大commandement ,问题向法利约大卫的儿子和上帝最后的警告传达给人们: 8疾苦' ,告别。
The Last Series of Parables: To the Pharisees and to the People, On the Way of Jerusalem: The Parable of the Labourers in the Vineyard, In the Temple: The Parable of the 'No' and 'Yes' of the Two Sons, The Parable of the Evil Husbandmen Evilly Destroyed, The Parable of the Marriage of the King's Son and of the Wedding Garment.最近一连串的parables :法利和人民,对未来路向耶路撒冷:寓言劳动者在葡萄园,在寺庙:寓言'不'和'是'的两个儿子,寓言邪恶husbandmen evilly被毁,寓言结婚国王的儿子和的婚礼服装。
Last Parables: To the Disciples concerning the Last Things, The Parable of the Ten Virgins, The Parable of the Talents, Supplementary Parable of the Minas and the King's Reckoning with His Servants and His Rebellious Citizens去年parables :向弟子关于上次的事情,寓言十个处女,寓言有关的优秀人才,补充寓言的米纳斯和国王的清算与他的仆人和他的反叛公民
The Paschal Supper, The Institution of the Lord' Supper在逾越节的晚餐,该机构的主'的晚餐
The Last Discourse of Christ, The Prayer of Consecration最后话语基督,祷告的consecration
Gethsemane gethsemane
Thursday Night, Before Annas and Caiaphs, Peter and Jesus周四晚,然后才annas和caiaphs ,彼得和耶稣
'On the Third Day He rose again from the Dead; He ascend into Heaven' '第三天,他再次上升,从死里复活,他升入天堂』
Based on events relating to the trial, crucifixion, and resurrection of Jesus Christ, the passion play enacts the central drama of the Christian faith.基于事件与审判,在十字架上,复活的基督,激情发挥立中央戏剧的基督教信仰。 The episodes of the passion play are performed at a series of shrines, or "mansions," one for each episode.情节的激情发挥演出,在一系列的神龛,或"豪宅" ,每组一个插曲。 Mansions are arranged in various ways, most often so that both performers and audience can move to each in turn.大厦都被排列在以各种方式,最常见的,所以这两个表演者和观众可以迁往每个反过来。
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Bibliography参考书目
Blackburn, Henry,
Art in the Mountains: Story of the Passion Play (1870; repr. 1978); Edwards,
Robert, The Montecassino Passion and the Poetics of Medieval Drama (1977);
Sticca, Sandro, The Latin Passion Play: Its Origins and Development (1970);
West, Larry E., The Saint Gall Passion Play
(1976).布莱克本,亨利,艺术,在山:故事的热情,发挥( 1870年; repr 。 1978年) ;爱德华兹,罗伯特,
montecassino的激情和诗学的是中世纪戏剧( 1977年) ; sticca , sandro ,拉丁美洲的激情发挥:它的起源与发展会议( 1970年)
;西,拉里体育,圣者胆激情玩( 1976 ) 。
The events of the Passion are among the most frequent subjects of religious art.该活动的热情是最频繁科目的宗教艺术。 They are popular because the sacrifice of the Crucifixion is central to Christian belief and because Holy Week, during which the events of the Passion occur, marks the culmination of the liturgical year.他们都很受欢迎,因为牺牲的受难日,是中央以基督教信仰,因为圣周,在该事件的激情出现,它标志着经过礼仪一年。
Some scenes from the Passion appeared in Christian art as early as the 4th century.有些场景,从激情出现在基督教艺术早在公元4世纪。 These subjects became especially common, however, in the late Middle Ages and at the beginning of the Renaissance, probably because depictions of Christ's suffering were in keeping with the heightened religious emotion that followed the Black Death and the Hundred Years' War.这些科目成了尤其普遍,不过,在中世纪后期,并在一开始的文艺复兴运动,可能是因为描写耶稣的苦难符合加剧宗教情感随后黑死病与百年战争。 Also during this period the Pieta was introduced and developed.另外,在此期间该pieta引进和发展。 Although without biblical authority, this scene became part of the Passion cycle.虽然没有圣经的权威,这一幕成了部分的激情循环。
The wide appeal of the Passion cycle is clearly shown by the prints of Albrecht Durer.广泛呼吁的激情周期是清楚地表明,由版画的Albrecht其后durer 。 Durer executed woodcut series known as the Small Passion (1509-11) and the Large Passion (1510-11) as well as another sequence called the Engraved Passion (1507-13). durer处决木刻系列被称为小型激情( 1509年至1511年)以及大型激情( 1510年至1511年) ,以及另一序列称为刻有激情( 1507年至1513年) 。 The scenes included in these cycles differ considerably, as they contain, respectively, 11 woodcuts and a title page, 36 woodcuts and a title page, and 15 engravings.这个场景包括在这些周期差别很大,因为它们的内容,分别是, 11木刻和扉页, 36木刻和扉页, 15个镌刻。 This variation is typical of Passion cycles, because artists frequently added scenes to provide a historical context for the Passion or an epilogue to emphasize its importance.这种变化是典型的激情周期,因为艺术家经常补充场面,以提供一个历史背景下,为激情或后记,以强调其重要性。
Eric G. Carlson李家祥g.卡尔森
Bibliography参考书目
Fergusson,
George, Signs and Symbols in Christian Art (1959). fergusson
,乔治,标志和符号,在基督教艺术( 1959 ) 。
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